We went on another boat dive in early August. It was supposed to be a cave dive and a night dive. The water was too dangerous (stormy) to go for a cave dive, so we settled for a wreck dive and a night dive. Now that I’m experienced (a little bit more), I’m also less timid. So these close-ups of the stingray would have been with the ‘tele’ setting a year ago. Right now I approach with the ‘macro’ setting. It cuts down on the murkiness. The stingrays can be dangerous. I just get in and float over slowly. They are pretty tolerant and don’t swim away immediately. I’m still getting accustomed to the settings. The rays have round eye balls that I assume will swivel. I’d love to know what image their brain is processing. It’s not forward so it’s probably not binocular and so I assume it’s about threat. And then I remember the adage – ‘things in the mirror may be closer than they appear.’As with many things in life, I have had great early success underwater. And then you step back and look over your progress and realize there’s a lot to learn. I’m strictly amateur in underwater photography. The hardcore people take down $7,000+ worth of gear and lights. To be honest, I’ve fried a couple of camera when I first tried underwater photography. They were point and shoots so the pain in $ was not so bad. I remain an opportunist diver rather than pursue subjects to the end of the seas. So for me it’s ‘what did you see when you went diving today.’ I don’t have the pressure to produce a money image. At the same time there is great satisfaction in learning a new skill. It’s even nice to shoot the coral even if it doesn’t move.
I know that I’ve taken some good photos over the years. I had this one in my office and one of my colleagues Frank Loh admired it. Frank was a childhood friend to my younger brother. This shot was taken while we were on a trip to the Berkshires in the autumn. It’s funny that sometimes you can take a shot and know it’s special. But in most instances, I would take a shot and realize it was iconic after I developed and mounted the slide. And that was often months later. Digital it’s not.
Back around 1980, Lisa and I were taking a timeout. We were sort of broken up. So she went to Eluthera to vacation. I wandered up to Boston to visit an OR nurse Ann (Sweeney) Levy. She was married to a GI specialist. She had been the Neuro OR coordinator while I was a resident at NYU. Her mom had had a brain tumor and I had assisted the Chief in her surgery, which turned out well. Leaving Boston, I drove to Cape Cod on a Sunday evening in October. All the traffic on the road was headed away from Cape Cod, bumper to bumper. I felt like I was going against the evacuating tide of traffic in my lone car headed to Providence. Wandering the dunes the next day, I chanced upon this house and got these images of the dunes with the autumn storm clouds. The house is gone now, changed forever into a non-picturesque photo-op some years back. It took me about 30 years to return to this spot. Things change. But, back then, when I took these images, they are iconic in my memory and can never be repeated. Like time it’s a one way trip. I could have done better with the composition. The house is a bit too centered. My father in law, Bill, offered to crop it when he framed the photo. But I decided to keep it as I shot it.
I learned to play golf with these guys. Actually, I just play with them about once a year. Well, to be honest it’s not even that often lately. We’ve sort of split. Bob and Kathy split. He lost the ladies and so we see Kathy but haven’t seen Bob lately. Remember that movie with Carol Burnett and Sandy Dennis…. I learned to play golf in the most casual way. Who carries a camera around on the golf cart? I usually just spend most of the time in the woods wandering around looking for my ball. I don’t find it but there’s usually someone else as errant so I always come away with a ball even if it’s not mine. To be honest I’m secretly better. I hit it mostly straight. And when necessary, I tee it up from the rough and even the fairway to gain a greater advantage. Hey, I’m not too serious. Alex is way serious since he learned (about the same time as I started). He’s pretty good but sometimes Bob and Kevin tease him. They always ask if I’ve been playing and then shake their heads when I tell them it’s once a year.
We visited Alex and MaryAnne in Ashburnham and stayed at their house on the lake. The early morning was still and there was a wonderful opportunity to get a fall reflection. Of course when you develop and mount your own slides abstraction is more obvious. Hence the turned slide that makes an entirely different statement.
This is one of among many business signs that I photograph as a collection. I’ve never gone back and actually collected the slides and images in one place. But I keep shooting signs that I like. Someday…. I think it began for me in the early ‘80s with a trip to Hawaii. But who knows? So I continue to shoot signs. Susan shoots flags. To tie in this non sequitur, I believe this shot was in Newburyport, a town that Susan introduced to Lisa and where Lisa then led me on a photo op. Get it?
We were on one of our annual fall trips in the Berkshires. The kids were riding bikes and we stopped by the roadside to play around on the haystacks. The kids clambered up and I shot some great pictures. We made this trip several times and often coordinated the trip with a real estate hunt. We almost settled on a couple homes but ultimately chose Long Island. These trips were memorable for me. I hope the kids had as good a time as I did.
Don’t put your face too close. This is a shot from 2008. I close this series with a reminder. The spark and smoke will blind and sting. Many of the soldiers turned their heads and closed their eyes. I guess there was indeed an art to hitting the target. When you are shooting game you try for one shot. Otherwise your potential dinner is gone. You do have to reload in order to get a second shot. It means that you didn’t shoot dinner each and every time. The animals at least had a chance.
I got this shot and a few others like this through sheer good luck. I had no idea about the schedule and the events. I was pretty much in the right place a few times by coincidence. The reenactment was about the same this year. It still didn’t help that I had been here once before. The schedule was only approximate. Overall it was good fun to see these actors working so hard.
“Don’t shoot till you see the whites of their eyes” comes to mind in this image. If so, then it is hard to understand how everyone wasn’t killed during this battle. Both sides were in very close proximity. And with a long rifle it’s hard to miss. I kept asking and I was always told that the weapons were mostly effective in volleys. A single lead ball was not perfectly round and the barrels of the rifles were not grooved to spin the shot and fire it straight. It’s a good thing, I think. History says that there were few dead in this battle, which was indeed surprising.
Maybe, but I can’t be sure, the British are better disciplined. When the commander says fire, they did. Coordinated and in sync, this group looks like they have been practicing. Their headdress suggests that they were elite troops. Practice!
This gives new meaning to me when I think of a group shot. One muzzle blast, two flintlock blasts, and some early smoke. Whoa, I got some great action here. After the commander said, ‘Fire’ everyone was a little different in their timing. You don’t know how hard this is to catch until you edit and find one shot like this in more than 1000 images. The commander said, ‘Fire.’ and everyone did, just not at the same time – not even me.
It wasn’t until late afternoon that the patriots were close enough to photograph. They had been in the woods, behind trees, rocks, and fences. I was rewarded with a muzzle blast. There is also the issue of a lot of smoke right after the group fires. So this early shot was lucky for me.
At a certain point the soldiers were allowed to ‘fire at will.’ An expert could load and fire three times per minute. I watched and it was fascinating. I don’t think that I could reload that rapidly especially in the heat of a battle. Anyway, I like the graphic going on here with each soldier in a different part of the process. And I was able to get the powder blast yet again.
In my other blogs I speak about the critical moment. That would be just as the flintlock musket is fired. There is a flash of the powder as the flint is struck. By the way, the weapons often misfired. And with the blast it was probably pretty hard to sight reliably down the barrel. You would likely be struck in the eye by the powder or at least blinded by the flash. There were many pictures I took throughout the day in which the actors had their eyes closed and/or head turned to avoid the flash.
You may take many, even hundreds (for me, more than 1000) shots. But the ones that count are the moment of firing. It is not easy to do. So, it’s why you do try to catch that moment. Understanding the sequence of action helps to anticipate the timing. You miss the moment often. The soldiers misfire, they fire at different times, and the crowd or trees get in your way. But it really is great to catch the moment. I got my share that day.
Children also were not directly in the battle of Lexington and Concord. Dressed in period clothing, they sure are cute though.
Colonial women were all about the battle site on Patriot’s Day. They were mostly in a supporting role. Many women had kids also dressed in the colonial style. They did not have an active role in the battle. Throughout the day many women were present along the battle route to explain colonial life and the history surrounding this period in Massachusetts.
Waiting around before the battle, weapons were stacked. I am told these British soldiers were elite. They were often chosen because they were tall and the headdress was more than 12 inches tall to make them seem more imposing. They were in the center of the formations and protected by the lesser ranks. Part of the uniform was designed to intimidate the enemy.
The serrated T-handled instrument at the top is a trephine. These are battlefield surgical instruments. They are replicas which can be purchased for the historical demonstration here. Trephines were used in ancient Egypt for access to the brain. They were described by Kocher in a 1914 book in which he published techniques on how to use the device. The trephine is basically a circular drill bit the one could get at Home Depot today. We don’t use such devices in present day neurosurgery.
The center point is to drive through the skull to position the bit before you proceed to drill. If you look closely you will see the point is too long. It will pierce the brain long before the drill has made a hole in the skull. Crude and dangerous, but then again if you have to use this on a battlefield casualty, it’s probably not going to end well.
Another thought came to me as the demonstrator described how the other instruments were used to probe for and remove the lead balls in the wounded soldiers. Why? You don’t remove the lead. That’s not what is going to kill you. It’s damage to vital organs and the uncontrolled bleeding that will kill you. General anesthesia is not until the 1900’s, so bite the rawhide!
To this day though some things don’t change. It’s been a while since I had to remove a bullet. But I still ask for a metal kidney shaped basin. In today’s OR’s it’s all plastic. The nurses scramble around to get one from some back closet shelf. Then carefully holding the bullet fragment 12 inches above the basin, I release it to hear the satisfying clunk of bullet in the metal basin. For those of you who watched ‘Gunsmoke’ on television as a kid, you will understand.
I like this graphic. I like the shadows on the ground. Before the battle re-enactment, safety is important. The ammunition is passed around carefully stored and distributed to all participating soldiers at the last moment. Each weapon is presented for inspection before ammo is issued. No one during the battle fires directly at one another or they are far enough away to avoid any proximity injury.
Patriot’s Day, Lexington and Concord. It’s a series of events with re-enactments of the critical battles at the beginning of the Revolutionary War. This many centuries later, the British are the villains in this scenario and booed loudly throughout the day. The Irish artillery was positioned at the British staging area in the morning for a demonstration. Later they participated in the battle at Tower Park. The blast from the canon is very loud. No canon balls are fired but the black powder can tattoo your skin. Notice that the gunners have placed a finger in their ears. I just would have chosen the ear closest to the canon to cover up. But then covering either ear didn’t make a difference for me standing more than 100 feet away. Also, just a historical point of interest, the female gunner to the left of the canon was probably not accurate. Oh, and before they fired the canon, someone yelled, ‘Fire in the hole.’ You can then anticipate the moment. I bet they didn’t do that in 1776.
I hope that the bride’s mother in law will not mind me discussing this shot. It was a hot sunny July day in Gloucester, Massachusetts. I should have used fill flash. But this shot has charm. My secret wish, if I quit my day job – pretty unlikely, is to be a wedding photographer. So far Susan has been a great supporter. I have shot extras for her two children’s three weddings. Don’t ask. Anyway it was a great day. Brides are always so happy. And, no, I won’t quit my day job. But, if you’re in need of a wedding photographer….
Rorschach Test. Ashburnham, Massachusetts. In response to some comments on Runaround Pond, I posted this photo. Some years ago we visited Alex and Maryanne at their home. The lake was still in the early morning. The water reflection of the leaves was almost perfect. This was a slide capture. Turning the slide on its side I got a real abstraction. Otherwise the vertical capture is not as riveting. I could also tweak this in photoshop but the overall abstraction does not require perfection.