It seems the beginning of my catalog has some highlights – shots over the years that were “keepers.” At least that is my opinion. They were pretty much unplanned shots that turned out surprisingly well. You may readily disagree. I like them. A very early effort was the child at a street market in London. The shot in the pool was a blurred image – wrong exposure, nice shot. Moonrise? It ain’t easy without adjusting the exposure. Motion blur (waves), moon detail, not bad. Wedding? I was a guest. It was a “grab” shot. The couple enlarged and kept it as a highlight. Panning – I learned with a San Francisco cable car. Reading about it is one thing; I gotta do it in order for the lesson to stick. Candid family? There are shots, and, there are shots that make you laugh out loud. Exhausted? Or, no turkey, please! Jules did not cook the meal… What else to say? I simply stuck the camera out the window and pressed the shutter once. Surprise!
San Francisco Cable Car
Motion blur and tilted shot, this was an iconic image for me. I shot, tilting the camera to make the cable car horizontal. But the perspective says that we’re on the uphill side. And the motion blur makes you feel like you’re moving right along. I’ve done this shot since. But this was the first. And tilting the camera is a technique that I use frequently now. After all the years I spent telling Lisa to keep her horizon straight, I feel guilty breaking the rule so much these days. But since the advent of cell phone photography, it’s pretty common to see tilted horizons. The trick is in making it work for the image. Lately I especially like the technique for food photography.