The lighthouse became a special setting. It sort of represents quintessential Maine. The first thought I have of Maine is the sea and the coast and then of the lighthouses I have visited. So when I traveled there with Colleen we visited all the lighthouses I remembered. Of the ones we saw this was the one she thought called to her. There is a certain point of view that most photographers miss. The reflection of the lighthouse in the pool is the special shot of this location. We spent an afternoon just sitting and smelling the “coffee” (actually the sea). In that time I watched a parade of photographers, some with tripods and serious gear, traipse up and down the rocks never looking at the image waiting patiently before them.
I set up this shot. No, I did not use a tripod. And yes, I used Photoshop. I more or less estimated the perspective and distance. I kept the focal length the same. Post production put us both in the image. Hey, it worked.
It’s a fairly famous location. And it has been for sale for a while. It still had a sign when I passed most recently. The house sits in the middle of a footbridge in Boothbay Harbor. It retails for $700k+. I suppose the terms and price are negotiable. You would of course be living in a goldfish bowl. One buyer bemoaned the fact that you could not park and unload your car conveniently. Me? I like walking around in my underwear at home. This would be a real issue here.
It’s a ride down from Boothbay Harbor. There’s a lighthouse and I have had some nice experiences here in the past. We hit it as sunset was in full swing. The first image is 24mm with my spiffy new 24-70mm lens. And the second was wider 18mm with an older 18-35mm lens. As with any high contrast scene the meter and sensor were limited in capability to capture what the eye sees. There are options. But I prefer to keep it simple. There are times that call for a super wide angle. It’s subtle but definite. Your choice but I’d go with the 18mm image.
Boothbay Harbor, autumn, and, sunset a great combination I think. Take your pick. I saw the clouds and the sunset. Then I noticed the cove and the reflection. Some days are just magical. The light was fading fast. I got the images. HDR might have been more dramatic. I’m okay without extra manipulation. My roots are slide film. So the inability to meter the entire scene is not a problem for me. I like the natural feel. It’s funny because Jules always could tell film from digital. I wonder how she’d feel about these images.
2120 foot cable stayed bridge. It is like the Boston Bunker Hill Bridge in that it is single cable. It is rather distinctive. There’s a place by the roadside to get a shot. But the graphic I sought was of the cables on the bridge span. It took two tries. Actually the first time was the better.
The second time through my copilot shot and she was not as good as her first effort. In deference I cannot be sure if I shot the better image. But it’s on my memory card. So in this instance I/we got the shot I sought.
I like the architecture. Maybe it is the color. Most of the mosques I encounter are white. Thobes come in all colors but white is overwhelmingly predominant. And if you buy a car, buy white if you ever want to resell it. Most cars are white. It’s nice to see a stark contrast to what I usually see.
Some days you just don’t get that cloud filled sky with orange glowing clouds. The camera is pretty adept at getting the globe or the setting sun. Timing helps. Across this bay is a manmade island gifted to a past king. There is an empty palace there somewhere in which a staff of a thousand remains employed. When I first saw this with Farid he warned me not to photograph the island. He was being cautious I guess. There are time when you are and others when you are not.
This is said to be a palace and has been under construction for the past three years since I have been here. The larger building is said to be an exclusive guest hotel. How exclusive? Well one of the engineers, my patient, says that you nor I can ever see the inside. Meanwhile it borders the Corniche so people walk by and play within its shadow and evening light.
At the Corniche there are sculptures which I see and am unaware of their significance. Then I am reminded that magazines and newspapers show a single image to go along with the story. So here is my close up out of context to the whole sculpture and showing a neat graphic and color. For fun, sometimes you just take a shot for the sheer fun of it.
Ok, ok the full magilla.
This is a classic shot. It is all in the reflection. The whole point of this bridge is for the picture. They should charge a dollar for admission. I can’t say how many people find this spot or know that it exists. It is not a well-traveled road. Or maybe? I have been here in all seasons, even winter. This time around I met a guy with consulate license plates at the entrance to Acadia, Mount Desert Island and told him to come here. I doubt he did. I’ve been here often. Why keep coming back? It’s far away. Just like the other times, each time you come it is a little different. And that quintessential shot just might be there this time. You know the one you imagine.