You can make many choices when you shoot an image. And if you do, it’s no big deal. Film was expensive. A digital image is not. Horizontal or vertical, crop or zoom, you have many ways to capture an image. Why not experiment. Of course if you are perfect, no need. I take single images often. And at other times I am a redundant shooter. Many times I get a wide angle overview. I tend to edit for the close up. This is usually the shot less seen.
But in a scene (word play) one must remember the key elements. The shot of the Bixby Bridge has been done many times. It is the bridge for which the image is famous. So you have to have the bridge.
Even so there are still choices. Of course the choice is yours. Or else I pick and there is only one image today. Ah, too many choices….
Jules discovered this trick in Photoshop while we were editing our underwater images. It’s a shortcut. Command shift L. Hit all three keys at the same time and you autolevel. It punches up color like nobody’s business. Really! It works so often that it is the first thing I do with underwater shots. Suddenly the image has contrast and looks so much better. How? I really don’t understand how the algorithm does its magic. And if you ask Jules, she would faint to speak of a mathematical term. She artistic. Which means she only needs to know the end result and how to do it. How and who figured this all out? Well, it was the good fairy.
How do you like your landscape, with or without? The conventional wisdom is to use a foreground element to give depth to the image. So the presence of flowers and a fence helps to convey depth to a scene. I like both images. No particular preference for me. It’s a nice view on the California coast. Yay! But Nat Geo will only publish one. Which? Hey, it’s my blog so I can show you two. Yes, mine.
Yes. Photoshop is my preference. No tripod or remote. Go for it. Please don’t say anything that we are wearing the same clothes as in the prior jump picture recently. It’s the same day. If you did not notice all the better. I’m old and don’t get high off the ground. The trick? Just bend your knees. You look so much more athletic. Nope, one of the kids taught me the trick. Yes, Pfeiffer Beach again.
Well I was at Pfeiffer beach with this neat hole in the rock wall. Somehow it was not too picturesque. My fallback was a good shot of Jules. Priceless.
I think there was a movie with this name. It’s the name of a restaurant in Big Sur too. It was a place Jules planned for lunch. Wonderful. The clouds rolled in over the mountains and provided a photo op as we ate. It was special. Jules knew her way around and knew what makes dad happy. Great clouds – no rain. Drought, remember?
Clouds or daughter, lunch or picture? Gee it was a tough call. I figured it was better to stay in the family.
Shooting scenery or shooting family? Tourist shots often leave you with too small a shot of the loved one or not enough scenery. The choices are simple. Execution is hard. Maybe not.
Foreground? Flowers or family. Depth of field. Confused?
Under the circumstances if I am alone and without another person, landscape is a good shot. And foreground flowers give depth to the image. And if I have someone in the foreground, then Jules needs to be bigger than a dot. It works. Which? Ha! I didn’t say did I?
It’s fun. We’ve been doing this for years now. I don’t jump too well. Old man. The secret is to bend your knees. You look a whole lot more graceful. We were stopped along the road to take some pictures of the rugged California coast.
It was a crisp clear day. Photo ops were everywhere. Gorgeous. Too much beauty, we were on overload. So details here and there made things interesting. And then there is always jumping. If you do it right it looks like you are over water and it’s really dangerous looking. No we were not that good.
Someone expected we would be by. They left messages in rocks down below. It was as if they knew we’d be by for the view.
On the California coast, it’s a quaint town worth a visit. We almost kayaked. The water was so inviting and peaceful. But we had a plan. So Jules pushed us on up the coast. This was a fun 10 minute stop. Yeah, we were on a mission. And it was a long way to Big Sur and the camp trip.
I did what dads do. I followed the instructions of my knowledgeable daughter.
Somewhere there is a series on signs painted on old barns. I just take them where I get them. We actually pulled over to the side for me to get this image. I did not have my long telephoto. So I settled for a medium range shot. I was not that intent that I would hike a mile to get closer. And it’s not really an old sign. Still, it’s old enough to have missing letters. That’s old right?